| dc.contributor |
Muñoz, Glòria, 1949- |
|
| dc.creator |
Lara Cortés, José Antonio |
|
| dc.date |
2018-02-16T17:11:20Z |
|
| dc.date |
2018-02-16T17:11:20Z |
|
| dc.date |
2017-06-29 |
|
| dc.date.accessioned |
2024-12-16T10:26:13Z |
|
| dc.date.available |
2024-12-16T10:26:13Z |
|
| dc.identifier |
http://hdl.handle.net/2445/119944 |
|
| dc.identifier.uri |
http://fima-docencia.ub.edu:8080/xmlui/handle/123456789/20720 |
|
| dc.description |
Treballs Finals de Grau de Belles Arts. Facultat de Belles Arts. Universitat de Barcelona, Curs: 2017, Tutor: Glòria Muñoz Pfister |
|
| dc.description |
[spa] El objetivo principal de mi trabajo no se basa en la crítica política.
La investigación que a continuación se evidencia, se ha fundamentado a partir de la personalidad histórica y política, y su escenografía.
Consiste en una desacralización de la personalidad regia o política más concretamente y su puesta en escena: pinturas, numismática, prensa, televisión, etc. Una revisión desligada de toda pertenencia ideológica y sin destruir la apariencia que les convirtió en una figura emblemática.
Escenas que antes creaban al personaje y/o dominaban su imagen, ahora se transforman en lo contrario: escenas liberadas del sentido inicial.
Hago un uso casi “sensacionalista” de su representación y cómo creo que se capta por quienes la observan y ya la han asimilado. La identificación de las personalidades o, mejor dicho, los personajes, ya no es tan fácil, porque parecen no formar parte ni de su tiempo, ni de su estatus; ni tan siquiera de la simbología nacional que les corresponde. Es un juego de anacronismos infinito. |
|
| dc.description |
[eng] The objective of my work is not based on political critique.
The investigation that follows is based on historical and political personalities and their representation.
It consists of a demystification of the regal or political personalities and their staging: paintings,
numismatics, press, television, etc. A revision separated from all ideology and without destroying the appearance that turned them into iconic figure.
Scenes that created the character and/or dominated their image are turned into their opposite:
scenes liberated from their original sense.
I give an almost “sensationalist” use of their representation and the way I believe it is captured and
assimilated by the observers. The identification of personalities or, rather, the characters, is no longer easy: they don't seem to belong to their time or their status; they're not even accompanied by the corresponding national symbology. It's an infinite game of anachronisms. |
|
| dc.format |
91 p. |
|
| dc.format |
application/pdf |
|
| dc.language |
spa |
|
| dc.rights |
cc-by-nc-nd (c) José Antonio Lara Cortés, 2017 |
|
| dc.rights |
http://creativecommons.org/licenses/by-nc-nd/3.0/es/ |
|
| dc.rights |
info:eu-repo/semantics/openAccess |
|
| dc.source |
Treballs Finals de Grau (TFG) - Belles Arts |
|
| dc.subject |
Pintura |
|
| dc.subject |
Simbolisme |
|
| dc.subject |
Poder (Ciències socials) |
|
| dc.subject |
Treballs de fi de grau |
|
| dc.subject |
Painting |
|
| dc.subject |
Symbolism |
|
| dc.subject |
Power (Social sciences) |
|
| dc.subject |
Bachelor's theses |
|
| dc.title |
ASTRAKANADAS |
|
| dc.title |
Parodias pictóricas del poder |
|
| dc.type |
info:eu-repo/semantics/bachelorThesis |
|