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dc.creator Carroggio de Molina, Alberto, 1946-
dc.date 2010-07-27T08:56:11Z
dc.date 2010-07-27T08:56:11Z
dc.date 2010-07-27
dc.date.accessioned 2024-12-16T10:25:12Z
dc.date.available 2024-12-16T10:25:12Z
dc.identifier http://hdl.handle.net/2445/13442
dc.identifier.uri http://fima-docencia.ub.edu:8080/xmlui/handle/123456789/18994
dc.description Podeu consultar la versió en castellà: http://hdl.handle.net/2445/10357
dc.description The figurative painter accesses very complex levels of knowledge. To produce a painting requires, first, a deep analysis of the image of the reality and, afterwards, the study of the reconstruction of this reality. This is not about a process of copying, but a process of the comprehension of the concepts that appear in the representation. The drawing guides us in the process of the production of the surface and in the distribution of the colours that, after all, are the data with which the vision mechanism builds the visual reality. Knowing the colour and its behaviour have always been a requirement for the figurative painter. From that knowledge we can draw wider conclusions.
dc.format 8 p.
dc.format application/pdf
dc.language eng
dc.relation Documents de treball (Dibuix - Art i Ciencia)
dc.rights cc-by-nc-nd, (c) Carroggio de Molina, 2010
dc.rights http://creativecommons.org/licenses/by-nc-nd/3.0/
dc.rights info:eu-repo/semantics/openAccess
dc.source Documents de treball / Informes (Arts Conservació-Restauració)
dc.subject Percepció
dc.subject Color
dc.subject Dibuix
dc.subject Pintura
dc.subject Perception
dc.subject Color
dc.subject Drawing
dc.subject Painting
dc.title The Sensation of colour
dc.type info:eu-repo/semantics/workingPaper


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